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"7 Days" |
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Written by Derek Elley
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Wednesday, 09 January 2008 |
New Int'l. Release
7 Days
Sebeun Deijeu (South Korea)
A Prime
Entertainment release and presentation, in association with FiTech
Venture Partners and KS/JS/OS Bank, of a Prime Entertainment
production, in association with Yoon & Joon Film. (International
sales: Prime, Seoul.) Produced by Lee Seo-yeol. Executive producer, Kim Sang-il. Directed by Won Shin-yeon. Screenplay, Yun Je-gu; adaptation, Won.
With: Kim Yun-jin, Kim Mi-suk, Park Heui-sun, Lee Jeon-heon, Jang Hang-seon, Yang Jin-woo, Lee Ra-hye, Oh Gwang-rok, Ok Ji-yeong, Choi Myeong-su.
A piece of cinematic sleight-of-hand that provides plenty of passing thrills, "7 Days"
is at least two too many movies rolled into one. Part kidnap drama,
part murder mystery, part psychodrama and part legal-eagle yarn,
over-egged script gets by with punchy visuals and some strong
supporting perfs but leaves the viewer feeling emotionally and
intellectually shortchanged. Released locally mid-November, pic looks
unlikely to replicate its peppy take of $14 million in other
territories, though there's plenty enough good material here for a U.S.
makeover to score, following Summit Entertainment's purchase of remake rights at AFM.
Starting off with a socko pre-credits sequence and main title straight out of the "CSI" handbook, pic has hotshot defense lawyer Yu Ji-yeon (Kim Yun-jin, "Shiri," TV's "Lost")
finding a note that her 8-year-old daughter, Eun-yeong (Lee Ra-hye),
has been kidnapped. Flashback to the day before shows how mom took part
in a school student-and-parent relay race with Eun-yeong, who went
missing afterward.
Captions check off the days as Ji-yeon learns
that the kidnapper doesn't want ransom money. Instead, with her
lawyerly smarts, she has to get off a sleazebag who's been found guilty
of murder, and whose case is coming to appeal next Wednesday. By now,
she has four days to do the seemingly impossible or she'll never see
her daughter again.
In a seemingly open-and-shut case, Jeong
Cheol-jin (Choi Myeong-su), was convicted of the bloody slaughter of an
art student a month earlier. Ji-yeon teams up with maverick cop (and
old friend) Kim Seong-yeol (Park Heui-sun) to reinvestigate the crime, in the meantime receiving threatening cat-and-mouse calls from the kidnapper.
Crowded
plot, which involves drugs, a high-level cover-up and possible police
connivance, is further complicated by Seong-yeol being under
investigation by internal affairs and crises like Eun-yeong needing
emergency medication for a tuna allergy. Despite pic's title, most of
the story is crammed into three days, further stretching credibility.
Final
two reels work overtime to bring all the various storylines together,
-- and even then the plot doesn't hold up under close investigation.
Borrowing heavily from the visual palette of American crime series, plus pics like "Seven," helmer Won Shin-yeon ("A Bloody Aria") constructs several adrenaline-filled setpieces, pumped up by Kim Jun-seong's
propulsive score. But as the red herrings mount while the characters'
psychological development stays in neutral, the leaps of logic become
more and more exposed.
Tech package is up to the usual high South
Korean standards; however, the nervy camera style and editing
progressively work against the human drama rather than support it.
In
the central role, Kim Yun-jin is just OK, never really gaining the
viewer's empathy for a complex character who's clearly used to bending
the law for her own career. Though onscreen virtually the whole time,
she's outclassed in individual scenes by flavorsome playing from vet
Kim Mi-suk as the dead girl's mother, Choi as the convicted killer and
Oh Gwang-rok in a crucial supporting role as a gangster client.
References
in the script to "Thursday's Child" refer to the original title of the
pic, which had a choppy production history. Shooting originally began
in late 2006 under scripter Yun Je-gu, with actress Kim Seon-ah
("S-Diary") in the lead; after a hiatus, during which Kim left the
project, shooting resumed in 2007 with Kim Yun-jin in the lead and Won
directing.
Camera (color, widescreen), Choi Yeong-hwan; editor, Shin Min-geong; music, Kim Jun-seong; production designer, Jeon Su-ah; costume designer, Kim Jae-ah; sound (Dolby Digital), Lee Eun-ju, Lee Seung-cheol, Lee Seong-jin; visual effects supervisor, Jeon Geon-ik; visual effects, DTI; action directors, Kim Min-su, Shim Jae-weon; assistant director Hwang Geon-wook. Reviewed on DVD, London, Jan. 7, 2007. Running time: 125 MIN.
© Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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