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American Film Market,
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"Day four and sellers are getting nervous."
That’s how Pim Hermeling
of Benelux distrib A Film summed up AFM 2007 on Saturday, as attendees
lamented the abundance of competing fall markets, a looming WGA strike
that is impacting the packaging of projects and what buyers deemed
overly high prices for product.
This year’s American Film
Market has gotten off to its slowest start in recent memory, according
to many at the Santa Monica-based mart.
With a number of buyers -- and, amazingly, some sellers -- ready to head out of town, Sunday was a pacier affair. Sony Pictures put a multiterritory lock on QED Intl.’s "District 9," the Peter Jackson-produced sci-fier that will mark the directing debut of Neill Blomkamp.
The
Weinstein Co. emerged as the most active North American buyer of the
mart. The mini-studio picked up a handful of titles, while its related
video label Genius Products weighed in with a further pickup.
Generally,
corridor traffic is down, deals are thin on the ground, and even
project announcements have been reduced to a trickle.
As early
as the confab’s first day, the number of available seats in the Loews
hotel lobby suggested things might be slower than usual, but attendees
were willing to suspend their disbelief and hope that buyers were
filling the screening rooms. But the pace had scarcely picked up by
Saturday, and some buyers said they planned to start heading out
beginning today.
"We’ve been told that there are more people
here, but that must be an overall figure because there are not more
buyers," said one European sales agent, standing idly in a doorway.
"We are doing all the meetings that we expected, but there is very little corridor traffic," said Media Asia’s Ricky Tse. The refrain was repeated by execs at several other sales companies.
Buyers
and sellers share at least one complaint: Many have been on the road
since September, attending an almost nonstop succession of fall sales
events, including Toronto and Mipcom. The latter seems to be attracting
a growing number of theatrical buyers, and Pusan and Tokyo, while not
exactly buoyant, met some of the demand for acquisitions and diminished
travel budgets.
The recent Rome festival also has ambitions to
become a sales market and may have kept some European-based buyers
closer to home.
"Rome was better than this," said Ida Martins, topper of German indie seller Media Luna, in comparing the action at that fest vs. the AFM.
While AFM chief Jonathan Wolf
categorically ruled out a return to a February slot for AFM on
Wednesday, old industry hands point out that Mifed, which previously
occupied the late-autumn slot, was previously seen as the season’s
clean-up market. There distribs used up their remaining acquisition
budgets to fill out slates that were largely completed and landed pics
for lower prices than they had seen earlier in the year. Few major
projects got their launch in that environment.
While buyers
habitually complain about the dearth of new projects at the AFM, the
looming WGA strike may have hindered the flow of quality new material
into the market.
"Anyone trying to package talent these days is competing with the studios for the same resources," says one agent.
As
with the Sony-QED deal, the second half of the market, however, could
potentially see a flurry of late activity as forces of supply and
demand balance themselves out.
Buyers from territories
including Japan and Benelux suggest that sellers’ prices are
significantly out of line with territory realities, and some suggest
they can sit on their hands until sales agents compromise on asking
prices.
"Just because the euro is strong doesn’t mean we are going to overpay," Hermeling said.
If
prices don’t come down, however, buyers from long-haul destinations may
be unwilling to return home empty-handed and could generate some late
acquisitions.
© Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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